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Sound and picture recently published an article detailing how Postvis supervisor Tefft Smith II collaborated to develop the look of Disney’s latest visual wonderland. Here’s an excerpt:

Director James Bobin and picture editor Andy Weisblum collaborated with Halon Entertainment to help create the film’s multitude of elaborate visual effects. Specializing in previs and postvis, Halon allows filmmakers to visualize sequences before and during production by creating interactive digital versions of setups and sequences. While previs typically entails mocking up temp sequences and animatics during pre-production, postvis is completed after principal photography  and is especially helpful during the editing process of a VFX-heavy project like Alice Through the Looking Glass.

Read more at Sound and Picture: http://www.soundandpicture-digital.com/soundandpicture/issue_4_2016?pg=70#pg70


VISUALIZATION TEAM CREDITS

Mocap Supervisor
AJ Briones

Mocap Artist
Ben Shupe

Postvis Supervisor
Tefft Smith II

Postvis Artists

E. Bradley Alexander

Daryl T. Bartley

Casey Christopher Benn

Chris Bowers

Sebastian Brown

Bevin Carnes

Kenny DiGiordano

Gus Djuro

Lelif Einasson

Karl Fornander

Jack Geckler

Michael G. Jackson

Spencer Kelsey

Vicki Lau

Andre Mercier

Ryan McCoy

Kyoung Kay Park

Todd Patterson

Ron Rhee

Jaime Riveros

Caitlin Rupert

Alexander Sokoloff

Matt Sullivan

Kristin Marie Turnipseed

Hock Hian Wong

Travis Yee

Jerry Zigounakis

Producer
Patrice Avery